Does it have the potential to be? Perhaps, but it’s definitely on track to being one of the most enjoyable. Is it the best of the MCU shows we’ve seen this year? No. We’ve only seen the first two episodes of Hawkeye thus far and the result is interesting, I’ll give it that. Naturally, it’s up to Ronin himself (or, sorry, uh Hawkeye) to get her out of harm’s way, and for Clint, that means putting the exciting Christmas he had planned with his family on hold and bringing back the Avenger one more time. And when Kate discovers the darkness underneath the bright lights of the rich world she had grown weary of, she dons the Ronin outfit (which she found at a black market auction), drawing all the wrong kinds of attention. On the other, you have Kate Bishop a quirky, young archer who lives for the thrills and unwittingly finds herself caught in the middle of a murder investigation and becomes a target for a former vigilante’s greatest enemies.īut there are similarities to Clint and Kate’s stories, as both of them are living in worlds they feel out of place in. On one hand, you have Clint Barton a retired, aged-beyond-his-years Avenger still wearing the wounds of a war he stopped fighting two years ago and unable to fit into a world that sees him as a hero. Hawkeye is essentially a tale of two stories. But what’s most interesting about it is that this doesn’t last long, as he finds himself having to leave his family before the holidays to tie up the darkest part of his life, only to discover the young woman who might just present him with one of the greatest adventures of it. Survives, BFI National Film and Televisionįirst part-talkie feature.Hawkeye is set at Christmas and it explores a different side to Clint Barton’s story one in which he is actually at the center of it. Synchronized score survives, Library of Congress Survives, Filmmuseum Nederlands (EYE Institut) Synchronized score survives, George Eastman House, Library of Congress Synchronized score survives, George Eastman House, Filmoteca Española (Madrid) Survives, Library of Congress and the George Eastman House Survives, Library of Congress, Wisconsin Center For Film and Theater Research Synchronized score survives, several archival copies
Synchronized score survives, Library of Congress, Academy Film Archive (Beverly Hills) Warners' most expensive film to date with a cost of $546,000 but also the biggest grossing film to date surpassing The Sea Beast with worldwide rentals of $1,693,000 Synchronized score survives, many archival copies. Survives, Library of Congress and Filmmuseum Nederland (EYE Institut) Survives, Cineteca Italiana, Milan, Italy Survives, incomplete with only one reel missing
Warners' most expensive film to date with a cost of $503,000 but also the biggest grossing film to date surpassing School Days with worldwide rentals of $938,000 Survives, Filmoteca de Catalunya, Barcelona Survives, George Eastman and UCLA Film and Television Archive
Survives, incomplete/abridged version UCLA Film and TV Archive Survives, Cinemateket-Svenska Film institutet, Stockholm
Survives, Danish Film Institute, Copenhagen Survives, Archives Du Film Du CNC, Bois d'Arcy Warners' most expensive film to date with a cost of $436,000 Warners' most expensive film to date with a cost of $175,000 Ībridged/incomplete. Warners' most expensive film to date with a cost of $133,000 and biggest grossing film to date with worldwide rentals of $578,000